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Miller's 'home run': Ragged Edge presents 'Death of a Salesman'

February 16, 2009|JENNIFER BRUMMETT

Mark Vanderpool ponders the enduring popularity of Arthur Miller's play "Death of a Salesman" after 60 years of productions. It's a play with a lot of philosophical grit to it, he says.

"It's the standout play from one of the great American playwrights. ... It is Arthur Miller's home run play," explains Vanderpool, who plays Biff, the favorite son, in the Ragged Edge Community Theatre production.

Director Ryan Briggs, who also is portraying younger and less-favored son Happy, agrees.

"Sixty years later, Arthur Miller's iconic play still stands the test of time, remaining both relevant and relatable to modern audiences," he says.

Jeff Roberts, who plays Willy Loman, the salesman of the title, says he thinks a lot of people can relate to the play - especially those with kids. Willy dreamed of being liked and loved by many, of giving a better life to his kids than he had, of being successful in his career and personal relationships. All of this crumbles around him throughout his life.

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"Willy Loman is a very complicated individual," Roberts says. "He's a very confused person. He carries around hopes and dreams, and reality - and never the twain shall meet. He has a grandiose view of his family and what his favorite son should be."

In reality, Biff isn't at all what his father hoped he would be. Vanderpool says Biff is the "truth-teller" in "Death of a Salesman," a foil to the Willy Loman character. "His function is to question things."

Briggs says the play "revolves around the last days of Loman, a failing salesman, who cannot understand how he failed to win success and happiness."

"Through a series of tragic, soul-searching revelations of the life he has lived with his wife, his sons and his business associates, we discover how his quest for the 'American Dream' kept him blind to the people who truly loved him," Briggs explains.

"Willy is obsessed with success - for himself and his sons - but his tragic flaw is his inability to see himself and the world around him as it really is."

Roberts says Loman is the deepest character in a play he's seen, and that's a challenge to portray. "He's a volcano of emotions and you never know what side the lava will go down," he notes.

The characters' expositions contribute to the appeal of the play, Briggs says.

"I enjoy the moments where a character may act in an unexpected way, or have a revealing self-realization, accusation or confession," he explains. "I like watching the characters discover who they are."

The rest of the cast of "Death of a Salesman" is: Ellen Stafford (portraying Linda Loman); Dan Norvell (Ben); Bill Glover (Charley); Michael Coleman (Howard); Chuck Taylor (Bernard); Diana Foreman (The Woman); Julie Powell (Miss Forsythe); Alexandra Hawkins (Letta); Anne Blackburn (Jenny); and Joey Jones (Stanley).

If you go:

Death of a Salesman

8 p.m. Feb. 19-21 and 26-28

3 p.m. Feb. 22 and March 1

Ragged Edge Community Theatre, Harrodsburg

Cost: $12/adults, $8/children

Tickets: (859) 734-2389

Web site: www.raggededgetheatre.org

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